Allende’s fluidly written saga conveys her deep familiarity with the events she depicts, and her intent to illustrate their human impact in a moving way. The scope spans most of the lives of Victor Dalmau, a Republican army medic in 1936 Spain, and Roser Bruguera, a music student taken in by Victor’s family and, later, his brother Guillem’s lover and the mother of Guillem’s child. The story follows them over nearly sixty years, beginning with the tumult of the Spanish Civil War. Guillem is killed fighting against the Fascists, news that Victor can’t bear to tell Roser initially. After surviving separate and terrible circumstances that leave them refugees in France, where authorities treat them with contempt and worse, the two marry for practical reasons in order to join Pablo Neruda’s mission transporting over 2000 Spanish exiles to Chile aboard the S.S. Winnipeg . In Santiago, the Dalmaus find many Chileans sympathetic to the Spaniards, while others make them unwelcome. With a poetic ...
Perveen Mistry’s position as the only female lawyer in 1921 Bombay keeps her services in demand. When Sir David Hobson-Jones, the governor’s chief councillor, asks her to investigate a legal matter for the Kolhapur Agency, a British civil service branch, she’s wary of getting into bed with India’s colonizers. It’s a lucrative, prestigious short-term opportunity, however, and she feels compelled to accept.
The maharaja of the small princely state of Satapur is a ten-year-old boy, and his widowed mother and grandmother disagree on his education. Because they live in purdah, a woman lawyer is the best choice as mediator. While this premise is similar to the series opener, The Widows of Malabar Hill, Perveen quickly finds herself in a very different situation that tests her physical strength and negotiating skills and lands her into danger.
Massey devotes ample time to illustrating the politics and culture of a remote Indian princely state and the personalities of a new cast before introducing the mystery, which emerges midway through. This may unsettle genre readers who expect a more standard detective story, but it lets the investigation unfold organically. The maharaja Jiva Rao’s older brother and father both died well before their time; the palace servants blame a curse. Perveen comes to suspect a more human cause, and she worries for the boy’s safety.
Even before the mystery begins, a sense of uneasiness arises because Perveen is out of her element. She must travel by palanquin through the jungle to the palace, which she finds awkward and embarrassing, and endures the dowager maharani’s rude comments on her Parsi customs. The characters, even the unpleasant ones, are all intriguing, from the snobby royals to compassionate political agent Colin Sandringham. Perveen clearly wants to see more of him, her complicated marital status notwithstanding, and readers will too.
The Satapur Moonstone was published by Soho on May 14th. Its predecessor, The Widows of Malabar Hill (see my earlier review) has won multiple awards, namely (taken from the book's Amazon page): the 2019 Reading List Award from the ALA in the Mystery category, the 2019 Mary Higgins Clark Award, the 2019 Lefty Award for Best Historical Novel, and the 2018 Agatha Award for Best Historical Novel.
Needless to say, I'm on board with following the entire series. I reviewed this one for May's Historical Novels Review and am looking forward to seeing what Perveen does next.
The maharaja of the small princely state of Satapur is a ten-year-old boy, and his widowed mother and grandmother disagree on his education. Because they live in purdah, a woman lawyer is the best choice as mediator. While this premise is similar to the series opener, The Widows of Malabar Hill, Perveen quickly finds herself in a very different situation that tests her physical strength and negotiating skills and lands her into danger.
Massey devotes ample time to illustrating the politics and culture of a remote Indian princely state and the personalities of a new cast before introducing the mystery, which emerges midway through. This may unsettle genre readers who expect a more standard detective story, but it lets the investigation unfold organically. The maharaja Jiva Rao’s older brother and father both died well before their time; the palace servants blame a curse. Perveen comes to suspect a more human cause, and she worries for the boy’s safety.
Even before the mystery begins, a sense of uneasiness arises because Perveen is out of her element. She must travel by palanquin through the jungle to the palace, which she finds awkward and embarrassing, and endures the dowager maharani’s rude comments on her Parsi customs. The characters, even the unpleasant ones, are all intriguing, from the snobby royals to compassionate political agent Colin Sandringham. Perveen clearly wants to see more of him, her complicated marital status notwithstanding, and readers will too.
The Satapur Moonstone was published by Soho on May 14th. Its predecessor, The Widows of Malabar Hill (see my earlier review) has won multiple awards, namely (taken from the book's Amazon page): the 2019 Reading List Award from the ALA in the Mystery category, the 2019 Mary Higgins Clark Award, the 2019 Lefty Award for Best Historical Novel, and the 2018 Agatha Award for Best Historical Novel.
Needless to say, I'm on board with following the entire series. I reviewed this one for May's Historical Novels Review and am looking forward to seeing what Perveen does next.

Nhận xét
Đăng nhận xét