Allende’s fluidly written saga conveys her deep familiarity with the events she depicts, and her intent to illustrate their human impact in a moving way. The scope spans most of the lives of Victor Dalmau, a Republican army medic in 1936 Spain, and Roser Bruguera, a music student taken in by Victor’s family and, later, his brother Guillem’s lover and the mother of Guillem’s child. The story follows them over nearly sixty years, beginning with the tumult of the Spanish Civil War. Guillem is killed fighting against the Fascists, news that Victor can’t bear to tell Roser initially. After surviving separate and terrible circumstances that leave them refugees in France, where authorities treat them with contempt and worse, the two marry for practical reasons in order to join Pablo Neruda’s mission transporting over 2000 Spanish exiles to Chile aboard the S.S. Winnipeg . In Santiago, the Dalmaus find many Chileans sympathetic to the Spaniards, while others make them unwelcome. With a poetic ...
As in The Commoner (2008), modeled on Japan’s empress, Schwartz again demonstrates his adroitness at illustrating the troubled lives of high-profile twentieth-century women.
His new subject is Svetlana Alliluyeva, Stalin’s daughter, whose defection to the U.S. in 1967 drew international attention and furor. Schwartz has a personal connection, since his lawyer father brought Alliluyeva to America under CIA cover, but his personality and role have been fictionalized.
In Schwartz’s variation, in private journals left to her former lawyer, Peter Horvath, Svetlana details her itinerant life, attempts to become Americanized, and feels guilt over abandoning her adult children, whom she had hoped to liberate from her past. An unlikely correspondence leads her to an Arizona-based group of Frank Lloyd Wright acolytes whose repressive commune, ruled by Wright’s widow, feels very Russian.
Strong-willed and needy, Svetlana grows close to Peter, straining his relationship with his wife. What she doesn’t reveal is also illuminating; we learn almost nothing of her earlier marriages.
A perceptive exploration of identity, motherhood, and how one woman valiantly tried to shed the heavy mantle of her father’s infamous legacy.
I reviewed The Red Daughter for the March 1 issue of Booklist, and the novel will be published by Random House on April 29th.
His new subject is Svetlana Alliluyeva, Stalin’s daughter, whose defection to the U.S. in 1967 drew international attention and furor. Schwartz has a personal connection, since his lawyer father brought Alliluyeva to America under CIA cover, but his personality and role have been fictionalized.
In Schwartz’s variation, in private journals left to her former lawyer, Peter Horvath, Svetlana details her itinerant life, attempts to become Americanized, and feels guilt over abandoning her adult children, whom she had hoped to liberate from her past. An unlikely correspondence leads her to an Arizona-based group of Frank Lloyd Wright acolytes whose repressive commune, ruled by Wright’s widow, feels very Russian.
Strong-willed and needy, Svetlana grows close to Peter, straining his relationship with his wife. What she doesn’t reveal is also illuminating; we learn almost nothing of her earlier marriages.
A perceptive exploration of identity, motherhood, and how one woman valiantly tried to shed the heavy mantle of her father’s infamous legacy.
I reviewed The Red Daughter for the March 1 issue of Booklist, and the novel will be published by Random House on April 29th.

Nhận xét
Đăng nhận xét