Allende’s fluidly written saga conveys her deep familiarity with the events she depicts, and her intent to illustrate their human impact in a moving way. The scope spans most of the lives of Victor Dalmau, a Republican army medic in 1936 Spain, and Roser Bruguera, a music student taken in by Victor’s family and, later, his brother Guillem’s lover and the mother of Guillem’s child. The story follows them over nearly sixty years, beginning with the tumult of the Spanish Civil War. Guillem is killed fighting against the Fascists, news that Victor can’t bear to tell Roser initially. After surviving separate and terrible circumstances that leave them refugees in France, where authorities treat them with contempt and worse, the two marry for practical reasons in order to join Pablo Neruda’s mission transporting over 2000 Spanish exiles to Chile aboard the S.S. Winnipeg . In Santiago, the Dalmaus find many Chileans sympathetic to the Spaniards, while others make them unwelcome. With a poetic ...
His Grace wants Lenox to discover who stole a painting of his great-grandfather, the 14th duke, one in a series of portraits in his private study. Oddly, as the duke confides, the portrait alongside the missing one is the real treasure: it’s an oil painting of Shakespeare, done from life. Maybe the thief got it wrong. Getting entangled in the duke’s business leads to social disgrace—high-ranking noblemen are temperamental—and, eventually, to a much more serious case involving murder.
There’s something comforting about stepping into the viewpoint of a cultured Victorian gentleman who observes social niceties and feels a deep sense of integrity. If these values come into conflict, Lenox’s personal honor and justice regularly prevail. To hone his craft, Lenox becomes a student of life, visiting Bedlam to understand the criminal mind, and enlisting the help of an old sailor (a terrific character) with an aptitude for finding things. His dedication is admirable, since many of his peers look down on his pursuit of a vocation in “trade.” The novel is simultaneously a rich evocation of the Victorian class structure and a trenchant critique of it.
Historical crime novels with Shakespearean themes are hardly uncommon, and though the plot turns madcap in places, there’s enough novelty about this case to keep Lenox and readers on their toes. Amidst everything else going on, Lenox’s young cousin Lancelot is staying with him; while he’s an annoying little brat, some of his actions are comedy gold.
The Vanishing Man is published by Minotaur Books this week, and I reviewed it for February's Historical Novels Review. The Woman in the Water (which I reviewed last year) is the previous book in the series, and I've reviewed a few more of the ones set later in time, too. It's safe to say I'll be reading the next in the series once it's out.
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