Allende’s fluidly written saga conveys her deep familiarity with the events she depicts, and her intent to illustrate their human impact in a moving way. The scope spans most of the lives of Victor Dalmau, a Republican army medic in 1936 Spain, and Roser Bruguera, a music student taken in by Victor’s family and, later, his brother Guillem’s lover and the mother of Guillem’s child. The story follows them over nearly sixty years, beginning with the tumult of the Spanish Civil War. Guillem is killed fighting against the Fascists, news that Victor can’t bear to tell Roser initially. After surviving separate and terrible circumstances that leave them refugees in France, where authorities treat them with contempt and worse, the two marry for practical reasons in order to join Pablo Neruda’s mission transporting over 2000 Spanish exiles to Chile aboard the S.S. Winnipeg . In Santiago, the Dalmaus find many Chileans sympathetic to the Spaniards, while others make them unwelcome. With a poetic ...
Incorporating themes of identity and hope, Lawhon’s novel intertwines two strands: one following Anastasia up to that horrific night in 1918 and another about Anna Anderson, whose unwavering claims to be Anastasia inspired and confounded her contemporaries. Anastasia’s story, evoking her youthful spirit, becomes increasingly tense as her world grows dangerously constrained, while Anna’s story unfolds in snapshots flipping backward in time from 1970.
The suspense hinges on the reader’s unfamiliarity with the real history, and John Boyne’s The House of Special Purpose (2013), also about Anastasia, handles the dual-chronology structure more smoothly. However, Anna’s narrative, involving institutionalizations, glamorous excursions, legal battles, and meetings with people who want to support, exploit, or debunk her, compels with its many contrasts.
Recommended mainly for readers unacquainted with this twentieth-century mystery or anyone interested in Anna Anderson’s troubled life.
This short review first appeared in Booklist's February 1 issue, and the novel (which I read last November as an ARC) was published by Doubleday in March. Some additional notes:
- For my review of The House of Special Purpose, see my post Russian History, a Mystery, and a Reviewer's Dilemma, from 2013. My sentiments remain, and from that you may understand my thoughts about the chronological structure of I Was Anastasia (I'm not revealing anything about the conclusions drawn in either one, though). The structure also resembles that in the film Memento, which the author cites. I haven't seen the movie but may have to now!
- There's a lengthy author's note at the end that says "spoilers abound below" and goes on to explain and reveal various things, as author's notes do. It addresses potential readers, assuming they won't know the real history. I was surprised by this (the revelations about Anastasia were fairly big news when they appeared). Given that, I found it odd that knowledge of Grand Duchess Anastasia's fate was a hindrance to appreciating the book in full.
- I've read other reviews since I submitted mine, and it's been very well received by many readers who hadn't known Anastasia's story beforehand, and some who did. So I'll leave it to you to read it and make up your own mind about it.
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